What
does a great supporter of writers and the writing profession look like? You
are looking at one right now.
Practically an institution in Memphis, Tennessee, where she resides, Frances
Brinkley Cowden is editor of Grandmother Earth and Life Press, a small
publishing company that she founded in 1993. Local poets praise her and
Christian writers adore her.
As
editor/publisher of Grandmother Earth and Life Press, she has done the
layouts for 15 books and numerous other promotional projects. She has
conducted writers’ conferences for the past three years.
Frances is author of several poetry books including View from a
Mississippi River Cotton Sack, Etchings across the Moon
and Of Butterflies and Unicorns. She edited Voices
International, a quarterly literary magazine for three years when
she lived in Piggott, Arkansas. She has published and edited an annual
literary magazine, Grandmother Earth, for seven years;
and has edited two collections of children’s writings, To Love a Whale
and Windows to the World. Other collections she edited
include: Our Golden Thread, Toward Imagery and Form,
and Angels: Messengers of Love and Grace.
Cowden
is back teaching art in Memphis City Schools after over five years of
retirement. During those years she built her publishing company and worked
with The Memphis Arts Council teaching creative writing in Memphis area
schools. She has taught English and Art and is a Career Ladder III teacher.
Cowden has served on the board of the following and was President of all but
one and served as newsletter editor of PST and NLAPW (Chickasaw Branch) for
over ten years in each organization: The Poetry Society of Tennessee,
Memphis City School Art Teachers Association, National League of American
Pen Women (arts and letters member), Memphis Association of Craft Artists.
She served as local and district officer of the United Methodist Women and
taught Bible studies in her church. In 1989, she was named Poet Laureate of
the Poetry Society of Tennessee. 1999--Named Honorary Member of the Poetry
Society of Tennessee. 1999--Woodlawn Award for Excellence in Poetry given by
the Cookeville Creative Writers Association to one poet each year. 2000--
Purple Iris Award given to a business women for contributions to the
community by the National Organization of Business Women in Memphis and
Her Business News and other Memphis Businesses. She
was featured as one of 50 ‘Women Who Make a Difference’ by Memphis
Woman Magazine in the July, 2001 issue. She has won state, regional
and national awards in poetry, including the Louisiana Award in 1999 given
by the National Federation of State Poetry Societies. Her work has been
published in a variety of literary magazines and anthologies. She was born
on June 30, 1939 in Mississippi County, Arkansas, is married to Coy Dean
Cowden. The mother of four children, she has three sons who have businesses
in the Memphis area and a daughter who is an attorney. There are 25
grandchildren. She and her husband are members of Colonial Park United
Methodist Church.
-
-
I
cannot wait for summer sun to bring
-
Sweet
fruit that melts much faster than I eat.
-
Even
the birds echo our thoughts and sing.
-
"Eat
watermelon to forget the heat."
-
Ruby
crimson like sun captured
-
just
before sunset and held with a green leaf--
-
Some
rot upon the vine in summertime,
-
Although we eat as much as we can hold.
-
If we
are thoughtful, we preserve the rind
-
To
capture bites of summer for the cold.
-
Grandma's hot biscuits smeared with
-
savory
preserves make me forget the snow outside.
-
We
cannot choose the season or the day;
-
There
is a time for melon--time for snow—
-
We
taste sunshine; and when it goes away,
-
We
share its sweet remains and hope to grow.
-
I miss
my grandma's loving touch
-
but I
kiss my grandson and smile inside and out.
-
We
treasure seasons so that we may learn
-
Seeds
can be planted; melons will return.
-
-
Frances Brinkley Cowden, Memphis, Tennessee
-
Printed in Tennessee Voices,
1999
Frances, I understand that you are a great promoter of writing talent in the
area,
with poetry, religious non-fiction, and even a sponsored writer's
conference that you host once a year. What led you to support local writers
in this way?
It
has been an evolving thing. I have volunteers who help me. They include
Patricia Smith, who is Editor of Grandmother Earth and Frances Darby, who is
the Editorial Assistant. We are basically non-profit though not legally.
The writer’s conference started when I attended a Christian Writers
Conference that was way too expensive. I figured I knew people that could
put on an event that was less expensive and more rewarding.
Please tell us about your Grandmother Earth poetry, printed
every year. I know that poets in the Mid-South wait for it breathlessly
every year.
You
can also get information on the web. If you have a question that needs to be
addressed on the web, let me know. A copy can be ordered on the site.
What do you try to do in your annual
writer's conference?
We
have good workshops, a chance for individual critique and fellowship. We
have a national contest and a contest that is open only for those who are
attending the conference. This includes a newcomer’s award. New writers
have a chance to talk to published writers. The keynote address is a
highlight. It includes someone who has published nationally. The first
year it was Phyllis Tickle. Often it is a minister who has published a
book. So far, everyone has been pleased and inspired.
Why
don’t you come? It is August 4th at Colonial Park United Methodist Church,
8:30am–4pm.
Thank you for the invitation. I will attend. You
are originally from Arkansas? What about your upbringing do you think makes
you want to write, or influences your style?
I am
from Mississippi County, Arkansas and graduated from Wilson High School and
Arkansas State University. I wrote much about my childhood in View
from a Mississippi River Cotton Sack. I used to sit on my
partially filled cotton sack and make up stories. I had to work in the
fields as a child. This was before the cotton picker and right at the end of
the time when farm labor was expected of all rural children. I also had a
place in the attic where I wrote stories when I could escape there. I was
the oldest of six children and I had to find a hiding place to hear myself
think.
-
Eve’s Fruit
-
-
It was Eve’s fault
-
So Adam said—
-
But faithful men
-
Can’t be mislead.
-
-
Haiku
-
-
Butterfly with wings
-
Like paintings lights on blossoms
-
Bringing rainbow spring.
Daddy’s
Girl

-
I never
considered myself Daddy’s girl—
-
I was just one of
four,
-
the one that was
always in trouble.
-
After my grandma
died I saw her
-
in every
white-haired woman in a crowd.
-
But I never see
Daddy.
-
His bald head
will never catch me unaware.
-
Only in
photographs on my wall and in my albums,
-
loose in my
drawers, in boxes.
-
He was not a
person to put in boxes, no easy definition.
-
I know he loved
me yet his way of showing
-
it was so
different from what I read in books
-
which he never
read
-
he said because
of his eyes.
-
I’ve heard him
sit around
-
and laugh telling
stories and teasing
-
like he was a lot
of fun to know.
-
I ate the fatten
calf and
-
all these years
I’ve eaten the fruit from his gardens.
-
After his funeral
-
I came home and
ate a raw turnip
-
from his last
patch.
-
I never see him
in crowds—
-
crowds look empty
like farmers waiting
-
for the drought
to end. Rain does come at last,
-
but Daddy’s face
is only on the walls. And I never knew how
-
empty his arm
chair would be.
First Place, Mid-South Poetry Festival, 2000, Forthcoming in
Tennessee Voices
I read an article on
the Internet that was posted in reference a tragic accident you were
involved in, where a boy on a motorcycle struck your car and was killed. You
wrote an inspiring book about the incident. Please share a bit of that, if
you can?
You
are referring to Our Golden Thread. I felt very led to
compile a book about grief.
I asked people from all walks of life to contribute and received entries
from professional
writers as well as people in my church. All of this time, about four years,
I was not sure what I would write about since I had all of my
immediate family including Mother, Father, and all five brothers and sisters
and their families. I had lost my grandmother who had been a lifelong
inspiration. I thought that would be my only contribution to the book until
God underlined II Corinthians 4:4 ...
"In
whom the god of this world hat blinded the minds of them which believe not,
lest the light of the glorious gospel of Christ, who is the image of God,
should shine unto them.”
I
then realized that I had been in denial about the grief of dealing with the
accident and the death. I had let that grief deny me joy for over thirty
years.
As an editor, how do you decide which works are
published through your auspices and which ones are not?
Since
we have limited resources, we only publish those works that connect to the
themes we are trying to promote. We publish the prize-winning work in our
national contest and then choose from the other finalist those poems and
prose pieces, which represent what we consider to be the best.
What project are you excited about working on presently?
I
have been working on a book about prayer, Person to Person to God,
which is similar to Our Golden Thread in that there will be a
variety of contributors. I will have more of my own writing in this book.
Prayer is a very difficult topic to write about, but so important.
What do you see as the future for your site and yourself in particular?
I am
back into teaching junior high art for about three years so there is no
telling what might happen. I will have less time, but more money to devote
to literary endeavors.
Please name several exciting authors/poets in the Memphis are that you
want us
to know about and samples of their work.
I would hate to start
naming writers, I am afraid I would leave too many out. The writers
listed on my life press brochure, of course. Malra Treece and Russell
Strauss are two that should be noted. You will see sample of their work
in every issue of Grandmother Earth. Rosemary Stephens is
another local poet whose work attracts the attention of Judges.
You can order any of Mrs. Cowden’s works and those of other Mid-South
writers on her webpage at:
www.grandmotherearth.com
Contact Frances Brinkley Cowden at
grmearth@gateway.net
© 2001
Robert
L. Hall, All Rights Reserved |